Practical DV FilmMaking
My kind of people?
Ad directors can be hard-nosed about what they do - constant and occasionally dispiriting pitching for jobs leaves its scars, but it is this thrill of the chase that drives them. Many have features in development and see ads as being dirty and fast, but they pay well. However, most directors of ads will only find that they have control over their careers just at the point when they leave it behind to start on the big feature. Not for the faint-hearted.
Polymedia
These are stylish, unusual pieces of work, often displaying new ways of combining animation, live action, text or still images, and pushing the creative possibilities of the medium to the limit. Meaning and content are less important than the visually arresting or innovative image, though these films tend to be in turns political, philosophical and entertaining. Practitioners make films that cross over into just about every form of the moving image, hence the 'poly-' prefix. They are like bees pollinating each form by taking elements of one into another and creating new works. This sort of work is at the front of the DV revolution, often mixing with scientists (Blast Theory), artists (The Light Surgeons), architects (Lynn Fox) and designers (Pliex). If you want to make fast progress while investigating the artistic potential of the medium and try an area that has no discernible rules yet, then this is for you.
Go to: Chapter 10:2 for more details on polymedia work.
My kind of people?
Increasingly, this sort of filmmaker works in animation, seeing the whole industry as part of an emerging 'motion graphics' field
